Elephant At Rest, 2011, fibreglass sculpture.
Did you guess that the elephant is decorated with floral stickers?


From Liu Kang: A Centennial Celebration. Runs till 16 October 2011.
Samsui Women, 1951
Samsui women, immigrants from China, working as construction workers and distinguished by their red headpiece.
Chin Nam Street, 1951
Featuring the beautiful blue dome of the Old Supreme Court in the background.

From Seeing the Kites Again, an exhibition inspired by Wu Guanzhong’s metaphor of a kite and how it expresses the connection between an artist, his life and the people around him. Runs through 12 November 2012.
A Grasshopper Boat, 1998, oil on canvas.
White Flowers, 1993, oil on canvas.
Detail from The Mountain of Flowers and Fruits, 1960, oil on canvas.

Detail from Like Grass Like Flowers Like Fruits, 1988, ink and color on paper.

There was also a screening of specially selected animated films sourced from all over the world, at the dark and cosy air-conditioned chapel, Level 2. It ended its run on 30 August 2011.
Our favourite has got to be the sweet friendship between a little boy and a penguin in Lost and Found, a 24-min adaption of the best-selling picture book by Oliver Jeffers, directed by Philip Hunt.
The chapel wasn't crowded and it felt like a first movie date, as the boy and I sat on the long school benches, and giggled and ooh-ed at the funny and touching moments in the film.
No comments:
Post a Comment